tag:blogger.com,1999:blog-80894484021365764662024-03-05T21:32:45.320-08:00Ensixteen Editions n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.comBlogger401125tag:blogger.com,1999:blog-8089448402136576466.post-42249902557514802782018-10-30T10:52:00.001-07:002018-10-30T10:53:18.864-07:00'bio auto graphic' #31 from Ensixteen Editions. . . Here's the cover for the 'Right Hand' part of the new dual/two-for-one edition entitled <b>'the righteous</b>' - available for the first time at <b>Small Publishers Fair 2018</b>, end of next week, in beautiful downtown Holborn.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyisgUDUBfdFEbyB4WNHQ3kUzG3ZlVHPyZdYatmrU7dDJkGJwKX5XeekPl50hIXvcc_bJFqgGhiH9Vjz75ZCoRrxsTYRpob7cVAoKiRLmjuEz2b_PAKTWSpvOoKmheQYC54mcoddCfdsc/s1600/R+-+COVER.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1165" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyisgUDUBfdFEbyB4WNHQ3kUzG3ZlVHPyZdYatmrU7dDJkGJwKX5XeekPl50hIXvcc_bJFqgGhiH9Vjz75ZCoRrxsTYRpob7cVAoKiRLmjuEz2b_PAKTWSpvOoKmheQYC54mcoddCfdsc/s400/R+-+COVER.jpg" width="290" /></a></div>
<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com1tag:blogger.com,1999:blog-8089448402136576466.post-49548223335326444282018-10-30T10:48:00.001-07:002018-10-30T10:49:40.512-07:00New Edition Ahoy! The work of months has come together, like two hands clapping.<br />
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<i>'bio auto graphic' #31</i> is about to see the light of day - or at least Conway Hall, on Red Lion Square, in Holborn.<br />
This one's a dual edition which I've called<b> 'Hand Book' </b>(Left & Right). Here's a page from the opening to the Left Hand edition. . . Click on the image for a crisper version.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaSrAyVqb15tappzCdIJ-Hi1urHCsTClsvLahPwTG1BgjNO0UjjYRxk1faA5umjJOLaKrcnroyXTlmZvvQ0XsLlNIzDwhFW6m8V9LGFETrswdStPlyuoMq_j2Iw7tNtBBKcVDM0KGZl9U/s1600/BIO+AUTO+GRAPHIC+%252331+A.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1170" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaSrAyVqb15tappzCdIJ-Hi1urHCsTClsvLahPwTG1BgjNO0UjjYRxk1faA5umjJOLaKrcnroyXTlmZvvQ0XsLlNIzDwhFW6m8V9LGFETrswdStPlyuoMq_j2Iw7tNtBBKcVDM0KGZl9U/s400/BIO+AUTO+GRAPHIC+%252331+A.jpg" width="291" /></a></div>
<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com1tag:blogger.com,1999:blog-8089448402136576466.post-7519218704378964402018-10-30T10:44:00.001-07:002018-10-30T10:44:06.149-07:00Very, very soon now. . . .<br />
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<span style="text-align: start;">See lots more details<a href="http://smallpublishersfair.co.uk/" target="_blank"> here</a>. . . </span></div>
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n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com1tag:blogger.com,1999:blog-8089448402136576466.post-87084527644561485342018-10-03T03:24:00.000-07:002018-10-09T11:28:38.560-07:00'bio auto graphic' #31: With a little help from. . . <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFXOyaZYAqjjN5ejl4yozDP6RLMksp58OPxZ4EHVro57GDmIIfUmMhjS4PR623S8vYgZyr_Vr_ihJ71sBv5pRLz6_hU-XWHpz45iCqf1ZSTWhztsZEFV8Cc330uSAkZpy15l26lnmxBH4/s1600/COLOUR+Giving+a+helping+hand.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="929" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFXOyaZYAqjjN5ejl4yozDP6RLMksp58OPxZ4EHVro57GDmIIfUmMhjS4PR623S8vYgZyr_Vr_ihJ71sBv5pRLz6_hU-XWHpz45iCqf1ZSTWhztsZEFV8Cc330uSAkZpy15l26lnmxBH4/s640/COLOUR+Giving+a+helping+hand.jpg" width="369" /></a></div>
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Lend me your hands and I'll draw you a drawing.<br />
In fact a whole new edition.n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-53165845416782207322018-09-22T05:57:00.003-07:002018-09-22T05:57:57.889-07:00'bio auto graphic' #31<br />
Cometh the time, cometh the man, cometh. . . <i>The Hand</i>.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg001MViDnshY9qEue9btwBMESeNV-ju-fjemdfhKjBes5buqIpUv5jIsJfyTMeB6Uqh9UlIdmjTeHodT4xE5r7toZxinaq2aaId1OXA5fpmVgy7ZXTxOjAArh3xI32zql9_Pjhf3dzuR0/s1600/PIECE+OF+WORK.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="835" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg001MViDnshY9qEue9btwBMESeNV-ju-fjemdfhKjBes5buqIpUv5jIsJfyTMeB6Uqh9UlIdmjTeHodT4xE5r7toZxinaq2aaId1OXA5fpmVgy7ZXTxOjAArh3xI32zql9_Pjhf3dzuR0/s640/PIECE+OF+WORK.jpg" width="331" /></a></div>
<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-35413761109265255162018-09-22T05:55:00.001-07:002018-09-22T05:55:18.397-07:00The Next Ensixteen Edition. . . <br />
It is time.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWaBNHos1r5UXWLTybNB2RuLzMaomyFKxXKABQwrCZpZ6eVVX56oDVt82Pq5EQV7kyWgb7ItbAKPzd3KtE_VJpwc3MeUTlIz3v2TM6Hd8KFFmv45e2S6JjLTYfXvk8tBSVW7bKvBmTmfQ/s1600/OPEN+SESAME.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="933" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWaBNHos1r5UXWLTybNB2RuLzMaomyFKxXKABQwrCZpZ6eVVX56oDVt82Pq5EQV7kyWgb7ItbAKPzd3KtE_VJpwc3MeUTlIz3v2TM6Hd8KFFmv45e2S6JjLTYfXvk8tBSVW7bKvBmTmfQ/s640/OPEN+SESAME.jpg" width="372" /></a></div>
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-3663814771438740202018-09-09T05:33:00.000-07:002018-09-09T05:33:23.962-07:00Illustration & Storyboarding <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqrm0P05gV-lDv1-JrArAGpiCW6NEDXoeJhkR1NU12wvtHQhZnhSQ9bGH502JO8V5XpmDx9KnkKjddVd4wh9_mejNuTr2uosJmMedohYXAw5sOtyOJmo_HaDnU_FkTVM1elKPy3OcSWG0/s1600/GUARDIAN+-+ADDITIVES.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqrm0P05gV-lDv1-JrArAGpiCW6NEDXoeJhkR1NU12wvtHQhZnhSQ9bGH502JO8V5XpmDx9KnkKjddVd4wh9_mejNuTr2uosJmMedohYXAw5sOtyOJmo_HaDnU_FkTVM1elKPy3OcSWG0/s400/GUARDIAN+-+ADDITIVES.jpg" width="250" /></a></div>
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For your reading & viewing pleasure I have added some new writing on archive samples from my other visual activities as an <i>illustrator</i> and <i>storyboard artist </i>- as here with a piece for the <b>Weekend Guardian</b> and a frame from my work on <b>'Ali G Indahouse'</b>.<br />
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Take a look via the links on the right under <i>'Creative Career'.</i><br />
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More shades from the lining of the chameleon skin coat?<br />
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n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com9tag:blogger.com,1999:blog-8089448402136576466.post-50905387736083263822018-03-22T05:51:00.002-07:002018-03-22T05:51:17.676-07:00POST 30: Rainbow's End<div class="separator" style="clear: both; text-align: center;">
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30th Post on a 30th edition.</div>
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-34697311122382852042018-03-22T04:54:00.001-07:002018-03-22T04:54:32.107-07:00POST 29: Penlington Writes. . . Once again the writer, performer and zine enthusiast <b>Nathan Penlington</b> has applied a sensitive eye to my latest, and the resulting review can be found <a href="http://syndicatedzinereviews.blogspot.co.uk/search/label/bio%20auto%20graphic" target="_blank">here</a>:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYK5MtmzqelyrY7roFLZm-3IxyikOG8jZk1jl7LPrLWNadA3dnOoof68PkoZIdJKxGBZJZdPCW7FKqdGNUu9MRA8qvqDA7MqchGCTnxOD4eDWGmRqresBBvZ_Lg1JkY34ZnJz5Ob1z2c4/s1600/PENLINGTON+eyes.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1191" data-original-width="1600" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYK5MtmzqelyrY7roFLZm-3IxyikOG8jZk1jl7LPrLWNadA3dnOoof68PkoZIdJKxGBZJZdPCW7FKqdGNUu9MRA8qvqDA7MqchGCTnxOD4eDWGmRqresBBvZ_Lg1JkY34ZnJz5Ob1z2c4/s400/PENLINGTON+eyes.jpg" width="400" /></a></div>
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Image courtesy of Nathan.<br />
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He has a host of zine-related writing <a href="http://syndicatedzinereviews.blogspot.co.uk/search/label/bio%20auto%20graphic" target="_blank">here</a> and his own activities as a writer / performer / obsessive (Google him) reveal an interesting man who it is always a pleasure to meet for a pop cultural blather in the tea houses of Dalston or Stokey.n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-11109707135217333722018-03-19T03:57:00.003-07:002018-03-19T14:43:44.084-07:00POST 28: Selected and Exhibited<br />
The existence of a 30th in the series has been marked by a few related events and instances since November, the first stemming from the <b>SPF</b> itself:<br />
I was gratified to discover that the edition had been voted the <i>'Book of the Week'</i> choice by <b>The Wellcome Library's</b> zine collectors, as noted on their Instagram:<br />
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Subsequently I wrote a piece for the <b>Impact Press</b> <i>Book Arts Newsletter</i> to tee up an <a href="https://www.bookarts.uwe.ac.uk/ensixteen/" target="_blank">exhibition</a> of large prints and related material – <i>'Hiding In Plain Sight: When You Put The Chameleon Skin Coat On'</i> – culled from the artwork for the edition that then ran from February 1st to March 1st:<br />
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As always the exhibition and all matters related – as well as an upcoming article for <b>Impact Press</b> peer-reviewed journal <b>'The Blue Notebook'</b> <i>(Vol.12, No.2 - April 2018)</i> – have been eased into existence by the wonderful <b>Sarah Bodman</b>.<br />
Click on these links for details of both <a href="https://www.bookarts.uwe.ac.uk/newsletters/" target="_blank">newsletter</a> and <a href="https://www.bookarts.uwe.ac.uk/blue-notebook/" target="_blank">journal</a> - both recommended for anyone with an interest in book arts in general and the tidal movements and activities of the global community of image-makers & wordsmiths that make it up.<br />
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-66231150343546276212018-03-18T08:37:00.000-07:002018-03-18T13:01:18.177-07:00POST 27: A Big Deal for me at The Small Publishers Fair 2017And so it came to pass that the 30th edition (numerically at least) of my series was ready for <b>The Small Publishers Fair</b> 2017.<br />
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I created a special promotional image for the thing which first saw virtual light of virtual day on the event's social media courtesy of the redoubtable <b>Helen Mitchell</b>:<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVyFmt0hiKUx1K7DHqaUNdaAsPoVSPijHF1_MhCQa60hVLElwqrTdKlwA_kJWtGn0lSpCDsWfrG9disqmwHQLNZLcKrD0CPFF4A0nKzbxsStgLXHrEP14wcgO9-DcRcUofSqD5bV__p78/s1600/PROMO.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1215" data-original-width="1600" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVyFmt0hiKUx1K7DHqaUNdaAsPoVSPijHF1_MhCQa60hVLElwqrTdKlwA_kJWtGn0lSpCDsWfrG9disqmwHQLNZLcKrD0CPFF4A0nKzbxsStgLXHrEP14wcgO9-DcRcUofSqD5bV__p78/s400/PROMO.jpg" width="400" /></a></div>
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As always it proved an involving, diverse and inspiring event across two days.<br />
In the divine company of <b>Mette Ambeck</b>, and with many old chums and acquaintances visiting and partaking of the new work from both of us it was personally satisfying too.<br />
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This image was taken by <b>Nic Cooke</b>, who visited alongside <b>Loesja Vigour</b> and <b>Melanie Grant</b> from the <b>Wellcome Library:</b><br />
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<b><br /></b>And - as I covered in recent posts - on the second day I delivered a talk on my series as part of the strand running across that day.<br />
This image was taken by my soul brother <b>Andy Altmann</b>, as I prepared for the talk with organiser <b>John McDonnell</b> (who proved a kind, enthusiastic and reassuring presence):<br />
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My track record of struggling to say what I wanted to say within a tight time-frame was maintained, though I later received very warm appreciation from audience members, two who said it had been <i>'beautiful'</i>, to my surprise.<br />
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Job done.<br />
<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-29083281412634048042018-03-18T08:17:00.001-07:002018-03-18T08:17:22.698-07:00POST 26: No Word of a Lie<br />
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The artwork was completed on Thursday 26th October, and – with a little tech help from my beautiful Danish co-conspirator – was sent as a hefty PDF to the good people of<a href="http://doxzoo.com/" target="_blank"> Doxzoo</a><br />
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My experiences with them as a first-time user were very satisfying and - four days later - the bouncing baby edition #30 of 'bio auto graphic' was ready for collection.<br />
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com1tag:blogger.com,1999:blog-8089448402136576466.post-44816783683405299282018-03-18T07:51:00.003-07:002018-03-22T04:05:30.906-07:00POST 25: Centred<br />
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Finally the mix was distilled down and down to what became the final version of the centre-spread (see below).</div>
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Occupying opposing positions on facing pages, the text and image are surrounded by a generous amount of clear space.</div>
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The text that falls as shadow behind my head is also cast in the pale peach hues of the light I saw that morning, as yet another summer rainbow met the lake fog, to the point it might appear hard to read.</div>
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I wanted the reader to have to work at reading it, as we sometimes have to sit and think harder to piece together a memory or dream.</div>
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With this composition finalised I completed the edition - the quiet heart of it, a transitory moment, complete and in place.<br />
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I had already begun to scan the original pencil line art and convert into Photoshop files, then to be filled with the pixel flush of colour.<br />
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n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-18211748429324756042018-03-18T07:31:00.001-07:002018-03-18T07:31:57.221-07:00POST 24: To sleep, perchance to dream. . .<br />
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You can see how I am paring down the amount of text gradually. I had in mind the idea of the way a prism separates out the spectrum within natural light, except here the notion is reversed and my head acts as a focus for what pours in. I also had the idea of text shaped by the visual components in the image - hence the right-hand page where it is a kind of shadow falling behind my head. </div>
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The moment itself - cited on the page as occurring around 4.43am on that summer’s morning - had occurred in one of those brief interludes between slabs of heavy, velvet-black sleep. It felt partly a dream until I checked the scribbled note of the time I’d made in a bedside workbook the day after.</div>
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I was wanting to write more - include the phrase you see here below about the heart - but it seemed important to turn down the volume of text, maintain the sense of ‘quiet’.</div>
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n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-12931230760817480942018-03-18T06:55:00.000-07:002018-03-18T06:57:51.107-07:00POST 23: To die, to sleep – <br />
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The centre spread was postponed in the order of what I tackled - again and again. </div>
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I suspect I thought it would be easy to complete.</div>
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Of course, for so simple a thing, the effort to capture that dawn moment - when I got to it - proved deceptively difficult.</div>
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In this initial page from my workbook the sequence was firming up; standing by the frosted window of the bathroom and first noticing the curious peachy light flushing the sky beyond - walking back into my bedroom and opening the curtain to better see what was going on - the moment of seeing.</div>
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I already held the final composition in mind; left-hand page representing the window through which I looked, right-hand page showing me, looking. Final text accompaniment to be decided upon - as with all the pages - once the line images were set in place.</div>
n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-49528977478164842352018-03-18T06:52:00.002-07:002018-03-18T07:39:58.036-07:00POST 22: A Fixed Point in Time<div style="font-family: Helvetica; font-size: 12px;">
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Back to the making of the 30th edition - <b>Chameleon Skin Coat </b>-<b> </b>after a dissection of the talk I was to give at its <i>Small Publishers Fair</i> launch last November (numbered posts below 18 - 21).<br />
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The creative process being equally disjointed, I had come to the conclusion that the centre pages of the piece (a section I tend to keep as a place for a showy, eye-catching part of the whole, emphasizing the visual rather than the textual) would occupy a quiet, still point within the narrative.<br />
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Amongst the flow of the edition (that had already expressed the historical provenance of why I had started the series alongside activities as an illustrator, storyboard artist and academic, and what approaches I had taken in <i>'bio auto graphic'</i> that reflected all of those career strands) I had decided I would give over the centre pages to a moment that summer when I had pulled back a curtain to witness a rainbow curving down into the dawn banks of fog on Windermere.<br />
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This was the window in a modest 70s-built semi that had literally framed my appreciation of the Lake District's hills since the age of 15.<br />
Charting the sky as mood palette as with this photo earlier this month.<br />
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n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-6808398965412995362018-03-12T23:07:00.002-07:002018-03-17T04:57:49.888-07:00Doddy's Dead<b>RIP Ken Dodd</b> <i>(1927 - 2018)</i>.<br />
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Many memories of seeing <b>Kenneth Arthur Dodd</b> doing his legendary thing, often in the company of my brother-in-comedy <b>Andy Altmann</b>.<br />
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Tears of laughter were<i> our </i>souvenirs.<br />
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Here, in 2011, is Andrew in the company of the great man before the launch of his design masterpiece (in conjunction with artist Gordon Young) -<b> The Blackpool Comedy Carpet.</b><br />
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<b><br /></b>n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-39991689218384027832018-02-18T15:56:00.001-08:002018-02-18T15:56:05.330-08:00"Power To The People."<br />
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The splendid Frances McDormand wins Leading Actress at this evening's BAFTA awards.<br />
Great speech, fine artist. Funny, too.<br />
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-6436574978189294482017-12-26T05:37:00.002-08:002017-12-26T05:37:27.963-08:00Lucky For Some. . .<br />
Merry Christmas - new Doctor (13th) in the blue box. . .<br />
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<i>'Brilliant!'</i><br />
<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-49096310455125279152017-12-12T16:51:00.000-08:002018-01-17T14:32:34.626-08:00POST 21: THE SHAPES OF WORKINGAs well as forcing a timeline onto the way my career(s) directed me towards a state of mind and conflated drawing styles resulting in this series of narrative editions called Ensixteen, I visualised the shifting paradigms of each as part of the string of new images used at the Small Publishers Fair talk I was to give.<br />
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Each one shows the subtle arrangements between <b>writer</b> and <b>artist</b> - the <b>written word</b> (and the ideas therein) and the creation of <b>an image</b> stemming from it. In the case of storyboarding the word reaches you via the brain of the director.<br />
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<b>Storyboarding</b><br />
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<b><br /></b>n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-30226532681645284682017-12-11T02:00:00.001-08:002017-12-11T02:00:55.752-08:00POST 20: POINTY<br />
How did I feel confident to direct the digit at the flaws & foibles of others. . ?<br />
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Who was I to be so presumptuous?<br />
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-1999902430890734792017-12-11T01:48:00.002-08:002017-12-11T01:54:01.452-08:00POST 19: ORIGIN STORY<br />
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How <i>did</i> I come from here. . . .<br />
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To <i>there.</i> . ?<br />
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-39037220076911976412017-12-11T01:44:00.002-08:002017-12-11T16:19:26.239-08:00POST 18: A PARALLEL DEVELOPMENT<div class="separator" style="clear: both; text-align: center;">
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The wonderful <b>Helen Mitchell</b>, of the upcoming (at the time) <b>Small Publishers Fair</b> invited me to join their list of readers/speakers on the second day of the event - an already complex plot thickened.<br />
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I began to plan meticulously what I felt appropriate to say and show to relate the story of how I came to be doing this series.<br />
How did I come to be telling my life as a book. . ?<br />
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Indeed - in 30 books to date. . ?<br />
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<br />n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-40320173493219217392017-11-22T07:48:00.004-08:002017-11-22T14:16:30.503-08:00RIP Rodney Bewes (1937 - 2017)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAiinMzlDUA2AAxaOsE0z-wLI2VFHFpHkTd7bYSOSDBrOdmimGZNv1adq_SsdghpgEyzStqV5rkbPpS_oBz0VvTStG1zDx799fIFyOGnkl173qSUjw6OfBfzp_Ss3ADU32IKkjoqV58xA/s1600/BEWES+RIP.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="894" data-original-width="1058" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAiinMzlDUA2AAxaOsE0z-wLI2VFHFpHkTd7bYSOSDBrOdmimGZNv1adq_SsdghpgEyzStqV5rkbPpS_oBz0VvTStG1zDx799fIFyOGnkl173qSUjw6OfBfzp_Ss3ADU32IKkjoqV58xA/s400/BEWES+RIP.jpg" width="400" /></a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Ooh, what happened to you, whatever happened to me?</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">What became of the people we used to be?</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Tomorrow's almost over, today went by so fast</span></div>
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<span style="font-family: arial, helvetica, sans-serif; font-size: 14px;">It’s the only thing to look forward to - the past. . .</span><br />
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<a href="https://www.youtube.com/watch?v=HgSogQEz_Xo&t=21s">https://www.youtube.com/watch?v=HgSogQEz_Xo&t=21s</a></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">"You'll get yer money, Bob."</span></div>
n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0tag:blogger.com,1999:blog-8089448402136576466.post-90616136156938218592017-11-21T12:50:00.001-08:002017-11-21T12:50:18.489-08:00POST 17: SHELTER<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3eLMlBreYGFI9XV7d-zvLyY8g2rOgBNUfWjLQrCKc6jzgDb9YauwWNzkokqDadlwtp67L0_Q1qvwjxcYekifd8wHGzPvhnumSZ22yj4LFBGDlHprOGEtMVNERGWE_WZOEUfOHtlt2dGw/s1600/DOCTORS+SPREAD+TRIAL.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1323" data-original-width="1600" height="330" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3eLMlBreYGFI9XV7d-zvLyY8g2rOgBNUfWjLQrCKc6jzgDb9YauwWNzkokqDadlwtp67L0_Q1qvwjxcYekifd8wHGzPvhnumSZ22yj4LFBGDlHprOGEtMVNERGWE_WZOEUfOHtlt2dGw/s400/DOCTORS+SPREAD+TRIAL.jpg" width="400" /></a></div>
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Taking shelter under a rainbow of the eccentric British fantastical became a short, colourful indulgence within the spread of the whole planned volume.<br />
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One that also referenced the teetering edge of our politics, ecology and community health situations since the series began in 2004; The ruddy-cheeked Brexiteers, the dull blood stains on a Yorkshire pavement, the bright yellow hair of a nation's favourite blowhard.<br />
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Who wouldn't take shelter in the face of these things. . ? n16holsonhttp://www.blogger.com/profile/15745503020623603875noreply@blogger.com0