In these six fragments of the bigger piece you can see me testing possibilities. . . of interesting tensions between the elements of text and image – the relationships between content and empty space – the cropping of larger images – creation of material that teases a reader, rather than just handing over the goods clearly in terms of what links to what in the scheme of things.
Also here, the hand-written text that has remained throughout my editions, and proven popular with readers it seems.
All these factors have been – I'd like to think – refined in the editions I made from 2004 onwards.
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